Saatchi Sister

I have decided to become an ‘art baron.’ Please note I made up this new title, but it truly feels like what I want to do with my life after my two recent visits to the Tate Modern.

I am unsure whether I am qualified. If it does involve having large amounts of cash, it may be a slow climb to the top. As I look around my sitting room I also hope it doesn’t involve actually having good taste. I say this specifically with reference to the framed takeaway menu on my wall (if you had eaten there you would understand.) I might have to settle for being less than an art baron, maybe just an ‘art bar,’ which on the upside might mean I get free membership to the Members Bar on the Tate top floor.

A girlfriend asked me to go all arty on the day that London got down to -11 Celsius. As it was -15 in my basement flat I decided a stroll along the Thames would warm me up.Upon arrival she asked me what I wanted to do first. My response was ‘Bathroom, bookshop, then art. In that order.’ This also does not bode well for my baron potential. Yet within 2minutes of being in the ‘Pop Life’ exhibition I knew that no matter how stacked the odds are against me I wanted to be involved with art. The fact that I draw like an epileptic and can barely dress myself is a minor detail.

Having met Tracey Emin last year and subsequently developed some kind of career role model crush on her, I spent most of my time hovering over one particular glass case. In there were obscenities scrawled across everything she could get her hands on. If writing the word ‘fuck’ on every texture provided by God isn’t art then I don’t know what is. I cannot bring myself to say the same thing about a calf in a vat of formaldehyde, and I was tempted to offer to get in there myself for several million pounds. My friend most certainly would have obliged.

What I did next however does lead me to believe that I do in fact have potential: I went on a bar crawl that started in the Tate Modern and wound up somewhere near Tower Bridge. I say ‘somewhere’ as the only record I have of the last place we went was is my camera and the shots involve a bowl of what is hopefully olive oil. I will leave this one to Colombo, but I like to think that these shots are a testament to my ability to find and even create art. I wonder whether out of professional courtesy I should offer the shots to Charles Saatchi before someone else snaps them up.

When I sober up the next day, I decide to go back and start my collection of work that shows ever slightly more potential than my own: I buy a Tracey Emin print. When I get it home however I realize that it will have to stay in a drawer, as it doesn’t really go with my framed menu.

My spell check has just advised me that I am unable to spell the word 'exhibition' without assistance, so I may after all have to take a glance at the job section to see if there is something more appropriate than ‘art baron.’